Wishing on the Same Star and Same Moon

August 4th, 2008 by denisamadeus

Composed by Denis Toh
Date: 4th August 2008; Time: 11.00pm

Every night
We wish on the same star,
On the same
moon
That one day,
We’ll again meet each other
Under the same
moon
And the same star…

Though our love is across
the distant
lands,
We never fail to wish
On the same star,
On the same moon
That
we’ll be in each other’s arm
Once more…

Copyright Protected@Denis Toh 2008

To Grace (3rd Edition)

May 25th, 2008 by denisamadeus

Composed by Denis Toh
Date: May 23, 2008
Time: 10.15pm
Dedicated to Grace Hii

Dear Grace, my love and my life
I love your smile -
Your ever enchanting smile
Which has captured my heart
And captivated me completely.
I’m falling for you,
Yes, I admit that I am
Falling in love with you.

Your soulful eyes look deep into my soul
And confess to me you love me very much.
My very heart leaps with joy - overwhelmed with your love.
I can’t hold back any longer but express:
I love you
Aishiteru
Sarang haeyo
Je’taime

我爱你
I love you and these three magic words I mean it,
For you’re meant a world for me,
Yes, you’re everything to me.

Therefore Grace, you’re the love of my life
I love you truly, deeply, compassionately and eternally.
You don’t have to walk this path alone
For you have me.
I’ll be your pillar of strength, your comfort and your man!
This I promise you, my darling and I cross my heart.

Copyright Protected@2008 Grace & Denis

If I Love You…

April 1st, 2008 by denisamadeus

If I Love You… (2nd Edition)
Composed by Denis Toh
Date: March 31, 2008
Time: 8.44am

Noted: Dedicated to my fair maiden, Grace Hii - the queen of my heart
P/S: I love you!

If I love you
I will never imitate the silly infatuated birds
Repeating the same monotonous madrigal;
Or be like a youthful spring
Offering none but dull comfort all year long;
Or even a lofty peak
Ignoring one’s feelings and always arrogant.
Even the sunlight,
Even the summer wind,
Or the winter snow
None of these suffice at all
Compared the love I have for you.
Therefore if I love you, my love
I will be your soul mate,
So our souls are closely intertwined
With every stroke of passion.
Together we will create an endless story
And always depends on each other.
Only this can be called great love,
Where lies our faith which is true and deep,
Never be apart and always be together till the end of time…
And I love you, yes, always forever.

Copyright Protected @ 2008 Denis Toh

My Desired Happiness

March 14th, 2008 by denisamadeus

Composed by Denis Toh (March 12, 2008; 9:49pm)
Note    : Dedicated to someone special for me…
Revised Version

My dear, do you know to be with you is intoxicating?
Because the moment we share is so mesmerising
And the feelings you and I share is sweet and innocent,
The relationship we bond is blessed till
It Blossoms into a fruitful tree
Under the caress of Aphrodite
And the sway of Eros.
Thus having you walking in my life…
Indeed it’s my desired happiness
For no one can grant me more happiness
Than wrapping you ’round my arms.

Copyright Protected@2008 Denis Toh

Too late

March 9th, 2008 by denisamadeus

Pensively Composed by Denis Toh
Date    : 9th March 2008
Time    : 4.10pm

You ask me how do I love you?
I choke and don’t know how to reply.
Your eyes look deeply into me -
Deep into my naked soul,
Searching for the answer…
I sigh, troubled by your insecurity
and burdened by your eagerness.
You yearn for my love but so do I.
I don’t know to put my feelings in words.
Damn my indecisive and my foolish pride.
I’d have casted aside my arrogance
and professed my love to you…
But it’s too late… I’ve learned too late…
For you’re now in the arms of another man.

Copyright protected@2008 Denis Toh

Just for Fun

February 26th, 2008 by denisamadeus

Composed by Denis Amadeus
Date: 26th February 2008
Time: 3.45pm

I went with the Duchess
to high tea.
Her manners were
shocking to see!
Her rumblings abdominal
were simply phenomenal!
And boy, everyone thought
it was me!
Trying my best to be innocent
but it didn’t worth a cent
for they didn’t bought
it that farting person wasn’t me.

Copyright protected@2008 Denis Toh

Caruso, anyone?

December 28th, 2007 by denisamadeus

I love this Italian song passionately for it’s emotionally-driven and heart-wrenching. To be frank, I sometimes shed tears every time I listen to "Caruso" (Hey, the lyric speaks for itself). Speaking of Caruso, I’ve a friend who named her feline companion after the song, or maybe the most famous Italian tenor, Enrico Caruso (to be more precise and accurate, right Shirley?). Just to make the story short, the song "Caruso" is pensively composed by a reputable Italian singer-songwriter and musician, Lucio Dalla in 1986. He then dedicated the song to Enrico Caruso (1873 - 1921), but the maestro didn’t have the opportunity to "exploit" his vocal cords to sing it. This is so, so unfortunate. He’s a best-known operatic star of his era. Well c’est la vie.

Here are the lyrics of the song "Caruso", I hope you might find it wrenchingly intriguing.

Qui dove il mare luccica e tira forte il vento
Su una vecchia terrazza davanti al golfo di Surriento
Un uomo abbraccia una ragazza dopo che aveva pianto
Poi si schiarisce la voce e ricomincia il canto

Te voglio bene assaie ma tanto tanto bene sai
È una catena ormai che scioglie il sangue dint’e vene sai

Vide le luci in mezzo al mare pensò alle notti là in America
Ma erano solo lampare e la bianca scia di un’elica
Sentì il dolore nella musica si alzò dal pianoforte
Ma quando vide la luna uscire da una nuvola
Gli sembrò più dolce anche la morte
Guardo negli occhi la ragazza quegli occhi verdi come il mare
Poi all’improvviso usci una lacrima e lui credette di affogare

Te voglio bene assaie ma tanto tanto bene sai
È una catena ormai che scioglie il sangue dint’e vene sai

Potenza della lirica dove ogni dramma è un falso
Che con un po’di trucco e con la mimica puoi diventare un altro
Ma due occhi che ti guardano così vicini e veri
Ti fan scordare le parole confondono i pensieri
Cosi diventa tutto piccolo anche le notti là in America
Ti volti e vedi la tua vita come là scia di un’elica
Ma si è la vita che finisce ma lui non ci pensò poi tanto
Anzi si sentiva già felice e ricominciò il suo canto

Te voglio bene assaie ma tanto tanto bene sai
È una catena ormai che scioglie il sangue dint’e vene sai
Te voglio bene assaie ma tanto tanto bene sai
È una catena ormai che scioglie il sangue dint’e vene sai

(Translation)

Here, where the sea shines
and the wind howls,
on the old terrace beside the gulf of Sorriento,
a man embraces a girl
he wept after,
then clears his throat and continues the song:

I love you very much, very, very much, you know;
it is a chain by now that melts the blood inside the veins, you know…

He saw the lights out on the sea,
thought of the nights there in America,
but they were only the fishermen’s lamps
and the white wash astern.
He felt the pain in the music
and stood up from the piano,
but when he saw the moon emerging from a cloud
death also seemed sweeter to him.
He looked the girl in the eyes,
those eyes as green as the sea.
Then suddenly a tear fell
and he believed he was drowning.

I love you very much, very, very much, you know,
it is a chain by now that melts the blood inside the vein you know…

The power of opera,
where every drama is a hoax;
with a little make-up and with mime
you can become someone else.
But two eyes that look at you,
so close and real,
make you forget the words,
confuse your thoughts,
So everything became small,
also the nights there in America.
You turn and see your life
through the white wash astern.
But, yes, it is life that ends
and he did not think so much about it
on the contrary, he already felt happy
and continued his song:

I love you very much, very, very much, you know,
it is a chain by now that melts the blood inside the vein you know…

A Splendid Rendition of Grieg’s and Schumann’s Piano Concerti

July 24th, 2006 by denisamadeus

Edvard Grieg: Concerto for Piano and Orchestra in A minor, Op. 16Andsnes
Robert Schumann: Concerto for Piano and Orchestra in A minor, Op. 56

Leif Ove Andsnes (piano forte)
Berliner Philharmoniker/ Mariss Jansons

EMI CD 557562-2 (59 minutes : DDD)

You might call these two brilliant piano concerti the heavenly twins (or the Siamese twins if you prefer) among all piano concerti: not surprisingly, they have been coupled together on disc many times over. It says much for this latest version that it immediately establishes itself a formidable rival of the two versions listed here: Murray Perahia on Sony Classical and Stephen Kovacevich on Philips Classics, combining  as they do spontaneity and concentration, dedication and poetry.

The Norwegian pianist, Leif Ove Andsnes is a once-wunderkind of the piano who has matured into of the finest pianists of today. He has recorded Grieg’s Piano Concerto more than once. Back in 2000, together with Bergen Philharmonic Orchestra conducted by Dmitri Kitayenko, Andsnes performed this concerto but lacked the conviction of his current interpretation. But this time  (in 2003), here with Berliner Philharmoniker the gains are even far greater. The Norwegian piano virtuoso retains a freshness and expressiveness that never sounds so contrived, always spontaneous and impromptu. That inspirational quality is more markedly perceptible with the new version’s faster tempi, but the expressive flights remain as broad as always. The Berliner Philharmoniker under the baton of the prominent Latvian conductor, Mariss Jansons, provides Andsnes a firm and solid support, with playing not just refined but dramatic too in fiercely exciting tuttis. As for Schumann’s Piano Concerto, the Berliner Philharmoniker cellists, a famous group in their own right, sound at their very best in the Schumann’s slow movement. Schumann’s cello melodies are gloriously warm and luscious, with textures in both works admirably clear, and Andsnes fully responds to Schumann’s expressivo and ritardando requests. I simply adore it because I particularly like the free-flowing tempo for the central Andantino grazioso of the Schumann. Unlike the Italian pianist, Maurizio Pollini and the Polish pianist, Krystian Zimerman, both of them treat this movement as a simple Andante.

Anyway to any classical music lovers and connoisseur, the collaboration between Andsnes and Jansons (and also Berliner Philharmoniker) works quite well, and if you don’t already have half a dozen of CDs with this coupling already in your collection, this one is definitely worth considering. Highly recommended by yours very truly.

The Best Mendelssohn and Bruch in Years

July 24th, 2006 by denisamadeus

Midori
Felix Mendelssohn
: Concerto for Violin and Orchestra in E minor, Op. 64
Max Bruch: Concerto No. 1 for Violin and Orchestra in G minor, Op. 26

Midori (violin)
Berliner Philharmoniker/ Mariss Jansons

Sony Classical CD SK 87740 (53 minutes : DDD)

What a joy this CD is. When I first listened to this CD, yours truly  was left ga-ga - dumb founded and hypnotised by the spell Midori casts on my mind. I was "petrified" by her outstanding renditions. Midori has become, quite simply, a great violinist. For your information, this violin virtuoso has made a legendary debut at Tanglewood when she was just 14-year-old: not only did she break the E-string on her violin twice (she had to borrow violin from the concertmaster and the associate concertmaster), but also the late American conductor, Leonard Bernstein no less, knelt before her in awe and amazement. The next day the New York Times front page displayed "Girl, 14, Conquers Tanglewood with 3 violins." I bet even that deceased megalomaniac Austrian conductor, Herbert von Karajan would be most likely astounded by her pure virtuosity so… move over Anne-Sophie Mutter!!

These two great violin concerti are wonderfully played here. Midori delivers stunning performances of both the Mendelssohn and the Bruch: Individual, but not gratingly idiosyncratic; lyrical; and with a delicious range of tone and emotion.

The gorgeous opening melody of the Mendelssohn sets the tone; the sweetness of Midori extracts from her violin is instantly captivating. The 2nd movement avoids sentimentality while remaining faithfully songful and the finale is light and airy, as if the bow barely touches the strings. In short, Midori’s rendition of Mendelssohn’s violin concerto is gracefully exciting with a great range of dynamic and colour. The music flows and grows naturally with many breath-taking and electrifying moments.

 

The Bruch opens with just the right dark, introverted mystery and gradually Midori building up the climax. The middle movement is sheer poetry and the finale is brilliantly sparkling. As a summary of Midori’s rendition of Bruch’s violin concerto, she delivers a dramatic yet introspective performance. The Adagio is given an extra depth by her impossibly delicate tone and phrasing. The finale is not so capricious, without a hint of "look-at-me" arrogance.

 

The live recordings are vivid and the audience clearly brings out the best in both soloist and orchestra, all under the caring, balanced eye of Mariss Jansons. Such power! Such delicacy! Simply a splendid structured recording. Love it. This CD is a definite winner!

I’d like to end this with oft-quoted comment by Joseph Joachim the great violin virtuoso in his own right: "The Germans have four violin concertos. The greatest, the most uncompromising, is Beethoven’s. The one by Brahms vies with it in seriousness. The richest, the most seductive was written by Max Bruch. But the most inward, the heart’s jewel, is Mendelssohn’s."

Lo, Morning Has Broken (3rd Edition)

January 25th, 2006 by denisamadeus

Composed by Denis Toh (Date: 26th January 2006, Time: 4.21am)

At the kiss of the dawn,
The golden morning breaks
Like the first spring of season!
Splendidly the sun emerges from his sphere
Herald daylight with his glorious beams
And shadows flee and hide in despair.
Gaily the earth greets the brand new day,
Embraces it with all her glory!
Light of the day warms gently our affection
As sweetheart and I welcome the morning mood
Of passion and pleasure, as we kiss
And bond our souls in heavenly bliss
Like wings of love and hope
Soar to elysium, beyond and perpetuity!

Copyright Protected@2006 Denis Toh